 Artist: Jody Williams: mp3 download Genre(s): Other Jody Williams's discography:  You Left Me In The Dark Year: 2004 Tracks: 14 Retired from the Chicago blues business for decades and today back once again and sounding as good as always, Jody Williams's stinging steer guitar work is tranquil stirringly felt every time someone punches up Billy Boy Arnold's "I Was Fooled," Bo Diddley's "World Health Organization Do You Love," Otis Spann's "Five-spot Spot," or Williams's eerie nonaged key instrumental masterpiece, "Lucky Lou." Born in Alabama, Joseph Leon Williams stirred to Chicago at age 6. He grew up aboard Bo Diddley, the deuce trading licks as kids and playing for real by 1951. By the mid-'50s, Williams was ensconced as a Chicago academic session guitarist of high stature, simply he began to grow disenchanted when the signature lap he created for starter Billy Stewart's Argo waxing of "Billy's Blues" was appropriated by Mickey Baker for the Mickey & Sylvia smash "Honey Is Strange." Baker manifestly caught Williams playacting the riff in Washington, D.C., at the Howard Theatre. When the sound smoke had cleared, Bo Diddley's wife owned the writing recognition for "Love Is Strange" and Jody Williams had zipola for monetary recompense. Williams made his recording debut (vocalizing as easily as performing) as a leader for human dynamo deejay Al Benson's Blue Lake imprint in 1955: "Looking for My Baby" was credited to Little Papa Joe. That assumed name shape held in 1957, when Argo unleashed "Prosperous Lou" and its grand obtuse blues vocal flick "You May" as by Little Joe Lee (quite a band here -- saxists Harold Ashby and Red Holloway, keyboardist Lafayette Leake, and bassist Willie Dixon). In 1960, Herald Records labelled him Sugar Boy Williams on "Little Girl." sixties outings for Nike, Jive, Smash, and Yulando rounded tabu Williams's slender discography. Jody Williams dropped out of the blues game and went to work at Xerox as a technical applied scientist. He retired in 1994 and began to reckon about acquiring back up into music. In 1999 at the urgency of producer Dick Shurman, he went to a vapours lodge for the first fourth dimension in many, many years to see his sure-enough friend Robert Lockwood, Jr.. Soon after Williams stony-broke tabu some previous tapes he made in 1964, liked what he heard so a great deal that it brought tears to his eyes and decided to recapture the profound he created back when he was a upper side seance man. After playacting some gigs in 2000 and 2001, Williams and Dick Shurman went into the studio to hack his first solo record album. Return of a Legend was issued in 2002, garnering rave reviews and sparking newfound interest in one of the obscure heroes of the blues guitar. |
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